My book Bowie Knife Fights, Fighters, and Fighting Techniques is available from Paladin Press. This blog contains additional information about the bowie knife, as well as the fighting knives of other nations.

Tuesday, December 20, 2011

Death by Assegai, 1879

Death of the Prince impérial during the Anglo-Zulu War, by Paul Jamin.

Throughout the 19th century, British troops in Africa regularly met their ends on the blades of the assegais of Zulu warriors. In one of the most noteworthy incidents, the Prince Imperial, only son of Napoleon III, was stabbed to death while serving a tour with the British military.

Here is how is demise is described at Wikipedia:
The Prince took part in several reconnaissance missions, though his eagerness for action almost led him into an early ambush, when he exceeded orders in a party led by Colonel Redvers Buller. Despite this on the evening of May 31, 1879, Harrison agreed to allow Louis to scout in a forward party scheduled to leave in the morning, in the mistaken belief that the path ahead was free of Zulu skirmishers.

On the morning of June 1, the troop set out, earlier than intended, and without the full escort, largely owing to Louis's impatience. Led by Carey, the scouts rode deeper into Zululand. Without Harrison or Buller present to restrain him, the Prince took command from Carey, even though the latter had seniority. At noon the troop was halted at a temporarily deserted kraal while Louis and Carey made some sketches of the terrain, and used part of the thatch to make a fire. No lookout was posted. As they were preparing to leave, about 40 Zulus fired upon them and rushed toward them screaming. The Prince's horse dashed off before he could mount, the Prince clinging to a holster on the saddle - after about a hundred yards a strap broke, and the Prince fell beneath his horse and his right arm was trampled. He leapt up, drawing his revolver with his left hand, and started to run - but the Zulus could run faster.

The Prince was speared in the thigh but pulled the assegai from his wound. As he turned and fired on his pursuers, another assegai struck his left shoulder. The Prince tried to fight on, using the assegai he had pulled from his leg, but, weakened by his wounds, he sank to the ground and was overwhelmed; when recovered, his body had eighteen assegai wounds and stabbed through the right eye which had burst it, and penetrated his brain. Two of his escort had been killed and another was missing. Lt. Carey and the four men remaining came together about fifty yards from where the Prince made his final stand—but not a single shot did they fire at the Zulus. Carey led his men back to camp, where he was greeted warmly for the last time in his career: after a court of inquiry, a court martial, intervention by the Empress Eugenie and Queen Victoria, he was to return to his regiment a pariah, shunned by his fellow officers for not standing and fighting. Carey endured several years of social and regimental opprobrium before his death in Karachi, India, on February 22, 1883.

Louis Napoleon's death caused an international sensation, and in one slanderous account Queen Victoria was accused of deliberately arranging the whole thing. The Zulus later claimed that they would not have killed him if they had known who he was. Zabanga, his chief assailant, met his death in July at the Battle of Ulundi. Eugénie was later to make a pilgrimage to Sobuza's kraal, where her son died. The Prince, who had begged to be allowed to go to war (taking the sword carried by the first Napoleon at Austerlitz with him) and who had worried his commanders by his dash and daring, was described by Wolseley as "a plucky young man, and he died a soldier's death. What on earth could he have done better?"

Saturday, December 10, 2011

Assegai: Blade of the African Warrior

Different cultures are associated with particular bladed weapons: American frontiersmen with bowie knives, Gurkhas with kukris, Scots with dirks, Filipinos with bolos, etc. The bladed weapon most associated with the tribes of southern Africa would not be a knife or dagger, but an assegai, or spear. The assegai often served the purpose of a knife, being used not only in fighting but in dressing game, carving wooden implements, and even shaving the scalp.

The following article from The Uncivilized Races of Men in All Countries of the World (1882), by John George Wood, has a great wealth of detail on the making and use of the assegai, or assagai in an alternate spelling. Wood discusses the weapon in his chapter on the Kaffirs, as he refers to the Zulu. (NOTE: The term Kaffir was once considered neutral but is now regarded as a racial slur.)

At the end of the chapter is a discussion of the knob-kerrie, which I found too interesting to omit.
We will now see how the native makes his assagai.

With their simple tools the native smiths contrive to make their spear heads of such an excellent temper that they take a very sharp edge: so sharp, indeed, that the assagai is used, not only for cutting up meat and similar offices, but for shaving the head. Also, it is so pliable, that a good specimen can be bent nearly double and beaten straight again, without being heated.

When the Kaffir smith has finished the head of the assagai, it looks something like the blade of a table knife before it is inserted into the handle, and has a straight projecting peg, by which it is fastened into the wooden shaft. This peg, or tang as cutlers call it, is always notched, so as to make it retain its hold the better.

Now comes the next process. The spear maker has already by him a number of shafts. These are cut from a tree which is popularly called "assegai-wood," and on the average are nearly five feet in length. In diameter they are very small, seldom exceeding that of a man's little finger at the thick end, while the other end tapers to the diameter of an ordinary black-lead pencil. The assagai-tree is called scientifically Curtisia Jaginea, and is something 
like the mahogany. The shaft of the assagai 
is seldom, if' ever, sufficiently straight 
to permit the weapon to be used at once. 
It is straightened by means of heating it 
over the fire, and then scraping, beating, 
and bending it until the maker is pleased 
with the result. Even after the weapon 
has been made and in use, the shaft is 
very apt to warp, and in this case the 
Kaffir always rapidly straightens the assagai 
before he throws it. In spite of its 
brittle nature, it will endure a considerable 
amount of bending, provided that the curve 
be not too sharp, and that the operator 
does not jerk the shaft as he bends it. Indeed, 
if it were not for the elasticity of 
the shaft, the native would not be able to 
produce the peculiar quivering or vibrating 
movement, to which the weapon owes so 
much of its efficiency. 


By means of heating the "tang" of the 
head red hot, a hole is bored into the thick 
end of the shaft, and the tang passed into 
it. Were it left without further work, the 
spear would be incomplete, for the head 
would fall away from the shaft whenever 
the point was held downward. In order 
to fasten it in its place, the Kaffir always 
makes use of one material, namely, raw 
hide. He cuts a narrow strip or hide, 
sometimes retaining the hair, and binds 
it while still wet upon the spear. As it 
dries, the hide contracts, and forms a band 
nearly as strong as if made of iron. There 
is no particular art displayed in tying this 
band; we never see in that portion of an 
assagai the least trace of the elaborate and 
elegant patterns used by the New Zealanders in the manufacture of their weapons. 
The strip of hide is merely rolled round 
the spear and the loose end tucked beneath 
a fold. Yet the Kaffir is not without the 
power of producing such patterns, and will 
commonly weave very elaborate and elegant 
ornaments, from the hair of the elephant's 
tail and similar materials. These ornamental 
lashings are, however, always placed on 
the shaft of the weapon, and are never employed 
in fastening the head of the assagai 
in its place. 



In the illustration on page 103 is drawn 
a group of assagais, in order to show the 
chief varieties of this weapon. The whole 
of them have been drawn from specimens 
in my own possession. The word “assagai" 
is not a Kaffir term, but, like the 
popular name of the tribe, like the words 
kaross, kraal, &c., has been borrowed from 
another language. The Zulu word for the 
assagai is um-konto, a word which has a 
curious though accidental resemblance to 
the Latin contus.

The ordinary form or "throwing assagai" 
is shown at fig. 5. It is used as a missile, 
and not as a dagger. In some cases the 
throwing assagai is shaped in a more simple iron head being nothing but a sharpened spike of iron, without any pretensions of being formed into a blade. This weapon is five feet seven inches in total length, and the blade measures a foot in length from its junction with the shaft. Sometimes the blade is much longer and wider, as seen at fig. 4, which represents the ordinary "stabbing assagai." This weapon can be used as a missile, but is very seldom employed except as a manual weapon. Its long, straight blade is much used in the more peaceful vocations of daily life, and a Kaffir in time of peace seldom uses it for any worse purpose than slaughtering cattle, and cutting them up afterward. This is the assagai that is usually employed as a knife, and with which the ingenious native contrives to shave his head.

At fig. 7 is shown a very remarkable specimen of the barbed assagai. Intending to produce an extremely elegant weapon, the artificer has lavished much pains 'on his work. In the first place, he has forged a deeply barbed head, a form which is but rarely seen. He has then fastened it to the shaft in a rather singular way. Instead of cutting a strip of raw hide and binding it round the weapon, he has taken the tail of a calf, cut off a piece about four inches in length, drawn the skin from it so as to form a tube, and slipped this tube over the spear. As is the case with the hide lashing, the tube contracts as it dries, and forms a singularly effective mode of attaching the head to the shaft. The hair has been retained, and, in the maker's opinion, a very handsome weapon has been produced.

The assagai, in its original form, is essentially a missile, and is made expressly for that purpose, although it serves several others. And, insignificant as it looks when compared with the larger and more elaborate spears of other nations, there is no spear or lancet that can surpass it in efficacy.

The Kaffir, when going on a warlike or hunting expedition, or even when travelling to any distance, takes with him a bundle, or "sheaf," of assagais, at least five in number, and sometimes eight or nine. When he assails an enemy, he rushes forward, springing from side to side in order to disconcert the aim of his adversary, and hurling spear after spear with such rapidity that two or three are in the air at once, each having been thrown from a different direction. There is little difficulty in avoiding a single spear when thrown from the front; but when the point of one is close to the heart, and another is coming to the right side, and the enemy is just hurling another on the left, it is a matter of no small difficulty to escape one or other of them. If the assailed individual stands still, he is sure to be hit, for the Kaffir's aim is absolute certainty; while if he tries to escape a spear coming from the left, he will probably be hit by 
another coming from the right. 


Moreover, the mode in which the weapon 
is thrown serves to disconcert the enemy, 
and bewilder his gaze. Just before he 
throws the spear, the Kaffir makes it quiver 
in a very peculiar manner. He grasps it 
with the thumb and forefinger of the right 
hand, holding it just above the spot where 
it balances itself and with the head pointing 
up his arm. The other fingers are laid 
along the shaft, and are suddenly and firmly
 closed, so as to bring the balance spot of the 
spear against the root of the hand. This 
movement causes the spear to vibrate 
strongly and is rapidly repeated, until the weapon gives out a peculiar humming or shivering noise, impossible to be described. 
And equally impossible to be forgotten when 
once heard. It is as menacing a sound as 
the whirr of the rattlesnake, and is used by 
the Kaffirs when they wish to strike terror 
into their opponents. When thrown, the 
assagai does not lose this vibrating movement, 
but seems even to vibrate stronger 
than before, the head describing a large arc 
of a circle, of which the balance point forms 
the centre. This vibration puzzles the eye 
of the adversary, because it is almost impossible 
to tell the precise direction which the 
weapon is taking. Any one can calculate 
the flight of a rigid missile, such as a thick 
spear or arrow, but when the weapon is 
vibrating the eye is greatly bewildered. 


The whole look of an assagai in the air is very remarkable, and has never been properly 
represented. All illustrations have 
represented it as quite straight and stiff in 
its flight, whereas it looks just like a very 
slender serpent undulating itself gracefully 
through the air. It seems instinct with life,
 and appears rather to be seeking its own 
course than to be a simple weapon thrown 
by the hand of a man. As it flies along it 
continually gives out the peculiar shivering 
sound which has been mentioned, and this 
adds to the delusion of its aspect.


An illustration on page 111 represents a 
group of Kaffir warriors engaged in a skirmish. 
In the present instance they are 
exhibiting their prowess in a mock fight, 
the heads of the assagais being of wood instead of iron, and blunted, but still hard 
and sharp enough to give a very severe 
blow — experto crede. In the background 
are seen a number of soldiers standing 
behind their shields so as to exemplify the 
aptness of their title, the Matabele, or Disappearers. In the immediate foreground is 
a soldier in the full uniform of his regiment. 
He has just hurled one assagai, and, as 
may be seen by the manner in which his 
dress is flying, has leaped to his present 
position with another assagai ready in his 
hand. Two soldiers are plucking out of 
the ground the assagais thrown by their antagonists, 
covering themselves with their shields while so doing. All these soldiers belong to the same regiment, as may be seen by the headdress, which constitutes their distinctive uniform.

The skill displayed by the Kaffirs in the use of this weapon is really surprising. The rapidity with which the assagais are snatched from the sheaf, poised, quivered, and hurled is almost incredible. We are told that the great mastery of the old English archers over the powerful bows which they used, was not so much owing to the personal strength of the archer, as to the manner in which he was taught to "lay his body in his bow," and thus to manage with ease a weapon that much stronger men could not draw. In a similar manner, the skill of the Kaffir in hurling the assagai is attributable not to his bodily strength, but to the constant habit of using the weapon. As soon as a boy can fairly walk alone, he plays at spear throwing — throwing with sticks; and as he grows up, his father makes sham assagais for him, with wooden instead of iron heads. Two of these mock weapons are shown at fig 8 in the illustration on p. 103. They exactly resemble the ordinary assagai, except that their heads are of wood; and if one of them happened to hit a man, it would inflict rather an unpleasant wound.

When the Kaffir grasps his assagai, he and the weapon seem to become one being, the quivering spear seeming instinct with life imparted to it by its wielder. In hurling it, he assumes intuitively the most graceful of attitudes, reminding the observer of some of the ancient statues, and the weapon is thrown with such seeming ease that, as a sojourner among them told me, "the man looks as if he were made of oil." As he hurls the weapon, he presses on his foe, trying to drive him back, and at the same time to recover the spent missiles.

Sometimes, when he has not space to raise his arm, or when he wants to take his foe by surprise, he throws the assagai with a kind of underhand jerk, his arm hanging at full length. An assagai thus delivered cannot be thrown so far as by the ordinary method, but it can be propelled with considerable force, and frequently achieves the object for which it was intended. He never throws the last of the sheaf, but if he cannot succeed in picking up those that are already thrown, either by himself or his enemy, he dashes forward, and, as he closes with the foe, snaps the shaft of the assagai in the middle, throws away the tip, and uses the remaining portion as a dagger.

The wood of which the shaft is made, though very elastic, is very brittle, and a novice in the art is sure to break several of his spears before he learns to throw them properly. Unless they are rightly cast, as soon as the blade reaches the ground the shaft gives a kind of "whip " forward, and snaps short just above the blade. One of the great warrior chiefs 
made a singular use of this property. Just 
before going into action, he made his men cut the shafts of their assagais nearly across, 
just beyond the junction of the shaft and 
the head. The consequence of this ingenious
ruse became evident enough when the action commenced. If the weapon 
went true to its mark, it pierced the body of the foe just as effectually as if nothing 
had been done to it; while if it missed, and 
struck the ground or a shield, the shaft 
instantly snapped, and the weapon was 
thereby rendered useless to the foe.

Unknowingly, the barbaric chief copied 
the example that was set by a Roman general 
nearly two thousand years ago. When 
Marius made war against the Cimbri, his 
troops carried the short heavy javelin, 
called the pilum. This weapon had a thick handle, to the end of which the long blade 
was attached by two iron rivets, one in 
front of the other. Before going to battle, 
he ordered the soldiers to remove the rivet 
farthest from the point, and to supply its 
place with a slight wooden peg, just strong 
enough to hold the head in its proper position 
as long as no force was used. When 
the javelin was hurled, the enemy tried to 
receive it on their shields; and if they succeeded 
in doing so, they drew out the weapon 
and flung it back at the foe. But as 
soon as the action began, the Cimbri found themselves in a sore strait. No sooner had 
they caught the javelin in their shields, than 
the slight wooden peg snapped, and allowed 
the shaft to dangle from the blade. Not 
only was the weapon useless, but it became 
a serious incumbrance. It could not be 
pulled out of the shield, as it afforded no 
grasp, and the heavy shaft dragged on the 
ground so as to force the soldier to throw away his shield, and to fight without it. 


A very singular modification of the assagai 
was made by the terrible Tchaka, a 
chief who lived but for war, and was a man
of wonderful intellect, dauntless courage, 
singular organizing power, and utterly devoid 
of compassion. Retaining the assagai, 
he altered its shape, and made it a much 
shorter and heavier weapon, unfit for throwing, and only to be used in a hand-to-hand 
encounter. After arming his troops with 
this modified weapon, he entirely altered 
the mode of warfare. 


His soldiers were furnished with a very 
large shield and a single assagai. When 
they went into action, they ran in a compact 
body on the enemy, and as soon as the first shower of spears fell, they crouched beneath 
their shields, allowed the weapons to expend their force, and then sprang in for a hand-to-hand encounter. Their courage,
naturally great, was excited by promises of 
reward, and by the certainty that not to 
conquer was to die. If a soldier was detected
in running away, he was instantly killed by the chief, and the same punishment awaited any one who returned from battle without his spear and shield. Owing to these tactics, he raised the tribe of the Amazulu to be the most powerful in the country. He absorbed nearly sixty other tribes into his own, and extended his dominions nearly half across the continent of Africa.

He at last formed the bold conception of sweeping the whole South African coast with his armies, and extirpating the white inhabitants. But, while at the zenith of his power, he was treacherously killed by two of his brothers, Dingan and Umlangane. The two murderers fought for the kingdom on the following day, and Dingan ascended the throne over the bodies of both his brothers. The sanguinary mode of government which Tchaka had created was not likely to be ameliorated in such hands, and the name of Dingan was dreaded nearly as much as that of his brother. His successor and brother, Panda, continued to rule in the same manner, though without possessing the extraordinary genius of the mighty founder of his kingdom, and found himself obliged to form an alliance with the English, instead of venturing to make war upon them. Tchaka's invention of the single stabbing assagai answered very well as long as the Zulus only fought against other tribes of the same country. But, when they came to encounter the Dutch Boers, it was found that the stabbing assagai was almost useless against mounted enemies, and they were obliged to return to the original form of the weapon.

I'm repeating this image so the reader does not have to scroll up.

If the reader will refer to the illustration which has already been mentioned, he will see two specimens of the short stabbing assagai with the large blade. A fine example of this weapon is seen at fig. 1. The reader will see that the blade is extremely wide and leaf shaped, and that the other end, or but of the spear, is decorated with a tuft of hairs taken from the tail of a cow. Another example is seen at fig. 3. The maker has bestowed great pains on this particular weapon. Just at the part where the spear balances, a piece of soft leather is formed into a sort of handle, and is finished off at either end with a ring made of the wire-like hair of the elephant's tail. Several wide rings of the same material decorate the shaft of the weapon, and all of them are like the well-known "Turk's-head" knot of the sailors. Fig. 6 shows another assagai, which has once had a barbed blade like that at fig. 7, but which has been so repeatedly ground that the original shape is scarcely perceptible. The spear which is drawn at fig. 13 is one of the ornamental wooden weapons which a Kaffir will use when etiquette forbids him to carry a real assagai. This particular spear is cut from one piece of wood, and is decorated according to Kaffir notions of beauty, by contrasts of black and 
white gained by charring the wood. The 
ornamental work on the shaft is thus blackened, 
and so is one side of the broad wooden 
blade. The spear shown at fig. 9 is used in 
elephant hunting, and will be described in a 
future chapter. 


To a Kaffir the assagai is a necessary 
of life. He never stirs without taking a
 weapon of some kind in his hand, and that 
weapon is generally the assagai. With it 
he kills his game, with it he cuts up the 
carcass, with it he strips off the hide, and 
with it he fashions the dresses worn by 
the women as well as the men. The ease 
and rapidity with which he performs these
 acts are really astonishing. When cutting 
up slaughtered cattle, he displays as much knowledge of the various cuts as the most experienced 
butcher, and certainly no butcher 
could operate more rapidly with his knife, 
saw, and cleaver, than does the Kaffir with 
his simple assagai. For every purpose 
wherein an European uses a knife, the 
Kaffir uses his assagai. With it he cuts the 
shafts for his weapons, and with its sharp 
blade he carves the wooden clubs, spoons, 
dishes, and pillows, and the various utensils 
required in his daily life. 


When hurling his assagai, whether at an 
animal which he is hunting or at a foe, or 
even when exhibiting his skill to a spectator, 
the Kaffir becomes strongly excited, 
and seems almost beside himself. The 
sweetest sound that can greet a Kaffir's 
ears is the sound of his weapon entering 
the object at which it was aimed, and in 
order to enjoy this strange gratification, he 
will stab a slain animal over and over again, 
forgetful in the excitement of the moment that every needless stab injures the hide 
which might be so useful to him. When 
the chief summons his army, and the warriors 
go through their extraordinary performances 
in his presence, they never fail 
to expatiate on the gratification which they 
shall derive from hearing their assagais 
strike into the bodies of their opponents. 


It is rather a curious fact that the true 
Kaffir never uses the bow and arrow. 
Though nearly surrounded by tribes which 
use this weapon, and though often suffering
in skirmishes from the poisoned arrows of the Bosjesmans, he rejects the bow in warfare, 
considering it to be a weapon inconsistent 
with the dignity of a warrior. He 
has but two weapons, the assagai and the 
club, and he wields the second as skilfully as 
the first. The clubs used by the Kaffir tribes 
are extremely variable in size, and rather so 
in form. Some of them are more than six 
feet in length, while some are only fourteen 
or fifteen inches. But they all agree in one 
point, namely, that they are straight, or, at 
all events, are intended to be so; and that one end is terminated by a knob. They are 
popularly known as "knob-kerries."

In order to show the extreme difference of size that is found among them, several specimens are figured in the illustration on page 103. Three specimens are seen at fig. 10. That on the right hand is used as a weapon, and is wielded in a very curious manner. Not only can it be employed as a weapon with which an opponent can be struck, but it is also used as a missile, sometimes being flung straight at the antagonist, and sometimes thrown on the ground in such a manner that its elasticity causes it to rebound and strike the enemy from below instead of from above. The Australian savages possess clubs of a similar shape, and also employ the ricochet. The other two kerries are not meant as weapons.

It is contrary to etiquette for a Kaffir to carry an assagai when he enters the hut of a superior, and he therefore exchanges the weapon for the innocent kerrie. And it is also contrary to etiquette to use the real assagai in dances. But, as in their dances the various operations of warfare and hunting are imitated, it is necessary for the performers to have something that will take the place of an assagai, and they accordingly provide themselves with knob-kerries about the same length as the weapons whose place they supply.

One very common form of the short knob-kerrie is shown at fig. 14. This weapon is only twenty inches in length, and can be conveniently carried in the belt. At close quarters it can be used as a club, but it is more frequently employed as a missile.

The Kaffir is so trained from infancy to hurl his weapons that he always prefers those which can be thrown. The force and precision with which the natives will fling these short kerries is really astonishing. If Europeans were to go after birds, and provide themselves with knobbed sticks instead of guns, they would bring home but very little game. Yet a Kaffir takes his knob-kerries as a matter of course, when he goes after the bustard, the quail, or other birds, and seldom returns without success.

The general plan is for two men to hunt in concert. They walk some fifty yards apart, and when they come to any spot which seems a likely place for game, they rest their kerries on their right shoulders, so as to lose no time in drawing back the hand when they wish to fling the weapon. As soon as a bird rises, they simultaneously hurl their kerries at it, one always aiming a little above the bird, and the other a little below. If, then, the bird catches sight of the upper club, and dives down to avoid it, the lower club takes effect, while, if it rises from the lower kerrie, it falls a victim to the upper. This plan is wonderfully efficacious, as I have proved by personal experience. One of my friends and myself determined to try whether we could kill game in the Kaffir fashion. So we cut some knobbed sticks, and started off in search of snipe. As soon 
as a snipe rose, we flung the stick at it, and 
naturally missed, as it was quite beyond the 
range of any missile propelled by hand. 
However, marking the spot where it alighted, 
we started it afresh, and by repeating 
this process, we got sufficiently near to bring 
it within the compass of our powers, and succeeded 
in knocking it down. 


Generally the short, thick, heavily knobbed kerrie belongs rather to the Hottentot and 
the Bosjesman than to the Zulu, who prefers 
the longer weapon, even as a missile. 
But it is evident that the former shape of 
the weapon is the original one, and that 
the Kaffir, who derived it from its original 
inventor, the Hottentot, has gradually 
lengthened the shaft and diminished the 
size of the head.

The material of which the kerrie is made 
is mostly wood, that of the acacia being 
frequently used for this purpose. The long 
knob-kerries of the Zulus are generally cut 
from the tree that is emphatically, though 
not euphoniously, named Stink-wood, on 
account of the unpleasant odor which it gives 
out while being worked. As soon as it is 
dry, this odor goes off, and not even the most sensitive nostril can be annoyed by it. The stink-wood is a species of laurel, and its scientific name is Luurus bullata. The most valuable, as well as the most durable knob-kerries are those which are cut out of rhinoceros horn, and a native can hardly be induced to part with a fine specimen for any bribe. In the first place, the very fact of possessing such an article shows that he must be a mighty hunter, and have slain a rhinoceros; and in the second place, its great efficacy, and the enormous amount of labor expended in carving out of the solid horn, endear it so much to him, that he will not part with it except for something which will tend to raise him in the eyes of his comrades. In England, a fine specimen of knob-kerrie, made from the horn of the white rhinoceros, has been known to fetch even ten pounds.

Thus much for the offensive weapons of the Zulu Kaffir. Toward the north as well as to the west of the Draakensberg Mountains, a peculiar battle-axe is used, which is evidently a modification of the barbed spear which has already been described ; but the true Zulu uses no weapon except the assagai and the kerrie.
I have additional articles on the use of the assagai, including the impressions of British troops who encountered it in battle, and I will share some of those in a future post.